“Bill Moyers? He’s spectacular!” George Clooney said – and no wonder.
I mentioned this legendary television journalist to the actor and filmmaker after Clooney emerged from the Broadway theater where he just had been portraying another news icon: Edward R. Murrow. Or as the Museum of Broadcast Communications put it in a tribute to Moyers, he was “one of the few broadcast journalists who might be said to approach the stature of Edward R. Murrow. If Murrow founded broadcast journalism, Moyers significantly extended its traditions.”
Moyers, who died at 91 on June 26, 2025, was among the most acclaimed broadcast journalists of the 20th century. He’s known for TV news shows that exposed the role of big money in politics and episodes that drew attention to unsung defenders of democracy, such as community organizer Ernesto Cortés Jr..
Earlier in his life, Moyers served in significant roles in the Kennedy and Johnson administrations, but his fame comes from his journalism.
Despite his prominence, Moyers was the same down-to-earth guy in person as he seemed to be on the screen. In 1986, he was commanding a television audience of millions, and I was a historian at home with a preschooler, teaching the occasional college course in a dismal job market. Seeing that Moyers would be speaking at the conference on President Lyndon B. Johnson where I would be giving a paper, I wrote to him.
To my utter amazement, he replied and then showed up to hear my paper, on Johnson’s experiences as a young principal of the “Mexican” school in Cotulla, Texas, where he championed his students but also forged links to segregationists. Cotulla was “seminal” to LBJ’s development, Moyers said. In 1993, he recommended me for a grant that helped me finish a book: “LBJ and Mexican Americans: The Paradox of Power.
A few years later, he asked me to head up a project researching the documents related to his time in Johnson’s administration. His memoir of the Johnson years never materialized. Instead, I edited the bestselling ”Moyers on America: A Journalist and His Times.“
Part of what always impressed me about Moyers was his belief that what matters is not how close you are to power, but how close you are to reality.
Moyers didn’t just dwell on politics and policy as a journalist. He also delved into the meaning of creativity and the life of the mind. Many of his most moving interviews spotlighted scientists, novelists and other exceptional people.
He was also arguably among the best reporters on the religion beat. Even if it wasn’t always the main focus of his work or what comes to mind for those familiar with his legacy, still, he was a lifelong spiritual seeker.
This is hardly surprising: Moyers had degrees in both divinity and journalism. As a young man, he briefly served as a Baptist minister.
He once told me that his favorite of the many programs that he produced was the PBS documentary ”Amazing Grace.“ It featured inspiring renditions of this popular Christian hymn as performed by country legend Johnny Cash, folk icon Judy Collins, opera diva Jessye Norman and other musical geniuses. As they share with Moyers their personal connections to this song of redemption, he draws viewers into the stirring saga of its creator, John Newton: a slave trader who became an abolitionist through "amazing grace.”
This appreciation of the ineffable clearly informed Moyers’ blockbuster TV series exploring life’s ultimate questions, “Joseph Campbell and the Power of Myth.”
His interviews with Campbell, a comparative mythologist, evoked moments that made time stand still, and this reminded me of Thomas Merton, the American monk and poet, writing, “Everything is emptiness and everything is compassion” on beholding the immense Polonnaruwa Buddhas of Sri Lanka.
To my surprise, Moyers knew about this Trappist monk, telling me, “I always wished that I could have interviewed Merton,” who died in 1968.
It turned out that Moyers had been introduced to Merton by Sargent Shriver, founding director of the Peace Corps, where Moyers was a founding organizer and the deputy director.
Moyers characterized his Peace Corps years as the most rewarding of his life. When Johnson, his mentor, became president, he asked Moyers to join the White House staff. Moyers turned down the offer, so Johnson made it a presidential command.
The wunderkind – Moyers was 29 years old in 1963, when Johnson was sworn in after President John F. Kennedy’s assassination – coordinated the White House task forces that created the largest number of legislative proposals in American history. Among the programs and landmark reforms established and passed during the Johnson administration were Medicare and Medicaid, a landmark immigration law, the Freedom of Information Act, the Public Broadcasting Act and two historic civil rights laws.
Johnson’s war on poverty, in addition, introduced several path-breaking programs, such as Head Start.
Moyers served as one of Johnson’s speechwriters and was a top official in Johnson’s 1964 presidential campaign. The following year, the Johnson administration began escalating U.S. involvement in the Vietnam War and Johnson named a new press secretary: Bill Moyers. Again, the young man tried to decline, but the president prevailed.
As Moyers had feared, he could not serve two masters – journalists and his boss – especially as the administration’s Vietnam War policies became increasingly unpopular.
Moyers left the Johnson administration in 1967, turning to journalism. He became the publisher of Newsday, a Long Island, New York, newspaper, before becoming a producer and commentator at CBS News. His commentaries reached tens of millions of viewers, but the network refused to provide a regular time slot for his documentaries. He had previously worked at PBS. In 1987, he decamped there for good.
Moyers’ programs won many journalism awards, including over 30 Emmys, along with the Lifetime Emmy for news and documentary productions.
He helped millions of Americans appreciate the world around them. As he reflected in 2023, in one of the last interviews he gave, to PBS journalist Judy Woodruff at the Library of Congress: “Everything is linked, and if you can find that nerve that connects us to other things and other places and other ideas – and television should be doing it all the time – we’d be a better democracy.”
Today, with disinformation metastasizing, professional journalists losing their jobs by the thousands and some newspaper owners muzzling their editorial staff, thoughtful explanations can lose out. That means Americans can lose out.
“It takes time, commitment” to dig below the surface and discover the deeper meaning of people’s lives, Moyers noted. He sought to understand, for example, why so many folks in his own hometown of Marshall, Texas, have become much more suspicious – resentful, even – of outsiders than when he gave these folks voice in his poignant, prize-winning 1984 program Marshall, Texas; Marshall, Texas.
In this era of growing threats to democracy, what can a young person do who aspires to follow in Bill Moyers’ footsteps – whether in journalism or public life?
Woodruff asked Moyers that question, to which he responded: “You can’t quit. You can’t get out of the boat! Find a place that gives you a sense of being, gives you a sense of mission, gives you a sense of participation.”
Today, with the future of journalism – and of democracy itself – at stake, I think it would help everyone to take to heart the insights of this late, great American journalist.
This article is republished from The Conversation, a nonprofit, independent news organization bringing you facts and trustworthy analysis to help you make sense of our complex world. It was written by: Julie Leininger Pycior, Manhattan University
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Julie Leininger Pycior edited the book "Moyers on America: A Journalist and His Times." She also was hired by Moyers to direct the 18-month "LBJ Years" research project. In addtion, she served as an unpaid, informal historical adviser for some of his public television programs.
